Report from Jerusalem #69, 4th May 2015

Egyptian Style Artifacts from Southern Cave

The Israel Antiquities Authority (IAA) recently displayed artifacts unearthed from a cave near Tel Halif, 15 km. north of Beersheba. The items were found during a looting probe and date to the Late Bronze Age and the Iron Age, say from 1500 to 1000 BCE. Yuli Schwartz of the IAA said that the thieves had been thwarted and the IAA were now carrying out a salvage excavation. She said that more than 300 pottery vessels of alabaster, seals and seal impressions had been found, as well as jewellery of bronze, shell and faience in considerable quantities. The appearance of the artifacts were in an Egyptian style and suggest that there had been an Egyptian governmental centre in the area at the time, Many of the stone seals were scarab-shaped with Egyptian images, and several were inscribed on semi-precious stones from Egypt and the Sinai.

Some had the names of Egyptian Pharaohs, one had a sphinx with the name of Thutmose (c.1480 BCE), another with the name of Amenhotep (c. 1370 BCE), and one with the name of Ptah, god of Memphis. It appears the objects were mainly made in Egypt but some were of Israelite work using Egyptian methods and motifs. Dr. Ben-Tor of the Israel Museum noted that most of the finds dated to the 15th and 14th centuries BCE when Canaan was ruled by the Egyptians. The excavation continues and the finds have been transferred to the IAA laboratories for cleaning and further study before being put on display again.

Praise for Finders of Undersea Gold Coins

The divers who discovered the largest hoard of gold coins ever found in Israel were honoured at a recent ceremony at the Nebe Shuayb Druze shrine in the Galilee. They had found 2,600 gold coins of the Fatimid period on the seabed in near-perfect condition, and they reported it immediately to the IAA. Most of the coins bear the name of the Fatamid Caliph al-Hakim bi Amra-Allah who is believed to have founded the Druze religion in 1017 CE, and therefore the find was of tremendous interest to the Druze community, and their spiritual leader Sheikh Tarif attended the ceremony. The IAA said that they were proud to connect the Druze to their local past. No information was given as to how the coins had ended up on the sea-bed in Caesarea harbour. At the ceremony the six divers were presented by the IAA and the Caesarea Corporation with certificates of exemplary citizenship and with a replica of one of the gold coins.

Dome of the Rock, Tension over Carpet Renewal

The Islamic Trust, the Waqf, have recently replaced the worn carpet inside the Dome of the Rock on the Temple Mount in Jerusalem. The IAA were not informed of the change and it only came to the notice of Zachi Dvira, a colleague of Gabi Barkai, who saw pictures of the move on pages of Islamic Facebook and expressed concern to the IAA, who were unaware of it. The concern is not with the change of the modern carpet but with the floor below which could have been examined when the old carpet was lifted.

It seems that the floor below is covered with tiles of the Crusader period, and these were removed or changed without proper supervision. Under the tiles the earlier floor might have shown evidence of earlier pavings or the existence of another floor below. The IAA should have been informed and could have done the necessary research and taken photographs. The Israeli government will not allow the work to be opened up again due to delicate relations with the Jordanian government, who financed the operation. According to the Waqf management the work was long overdue and they said “our work in the Dome is transparent, we are only putting down carpet, nothing more, nothing less.” The suspicion by some commentators, is that the Waqf are trying to remove all traces of the Crusader geometric flooring of the 11th century CE, as pieces had previously appeared in Gabi Barkai’s sifting of the earlier material that was illegally removed by the Waqf without supervision in 1999.

Stephen Gabriel Rosenberg

W.F. Albright Institute of Archaeological Research, Jerusalem

 

 

Report from Jerusalem #48, 18th February 2013

“Debris” Removed from Temple Mount

As mentioned last month, six lorry-loads of material were removed from the Temple Mount in early January, discovered by Zachi Dvira (Zweik) who works with Gabby Barkai on the sifting project. The Jerusalem Police declared this to be ordinary debris, but the archaeologists see it as valuable excavated material, that has been removed from the Temple Mount against the High Court order prohibiting removal of any material from the Mount. Archaeologists are trying to retrieve the material from the local refuse dump and bring it to the sifting site for proper examination.

Preservation of 300 Historical Sites

The 700 million shekel (about £120M) program is going ahead with one third dealing with Biblical and Second Temple sites, and the remaining with later periods. The earlier projects include funding for projects in the City of David, Tel Shilo, the Machpelah cave of the Patriarchs in Hebron and Herodian remains near Bethlehem. Although the news does not give full specifics, it is clear that the allocated money is being used for these purposes, and further funds will be made available in due course.

Israel Antiquities Authority Archives Digitized

The above-mentioned fund is also being used to support the publication of a database with the records of the Israel Antiquities Authority (IAA). The documents will become available to scholars and include 19th century letters on excavations at the City of David, plans for the restoration of the Church of the Holy Sepulchre after the earthquake of 1927, and the extensive archives of the Rockefeller Museum. The work will give scholars access to valuable documents and will also ensure preservation of the archives, many of whose documents are suffering from disintegration because of poor paper quality and poor storage facilities in the past. Most of the documents are in English (they will receive Hebrew annotation) and are available on line here but no date has yet been given for the completion of the work.

Restoration of Avdat National Park

The Israel Nature and Parks Authority has now completed restoration of the UNESCO Heritage site of the Avdat National Park in the Negev that was vandalized in October 2009. The work was carried out at a cost of nearly nine million shekels (£1.5m) but the Authority has made it clear that some of the archaeological evidence of original stonework has been lost forever due to the damage done by the vandals.

Herod the Great Exhibition at the Israel Museum

This fine exhibition opened at the Israel Museum on 12th February 2013 and will run for eight months. It is a tribute to Herod’s great building projects and also to the lifetime of investigation that Ehud Netzer devoted to their uncovering. In fact it appears that it was Netzer who started planning the exhibition after his location of Herod’s Tomb on Herodion, and before his tragic death at that site in October 2010. The exhibition mentions Herod’s tumultuous life, as a great fighter, lover and indeed murderer, but it is his tremendous building structures that are given pride of place, such as his many palaces, the port of Caesarea and Herodion itself. Herod’s tomb is shown with a reconstruction of the central tholos, using the actual carved stones from the site, and restorations of the three smashed sarcophagi that were found there. There are many clear wooden models, as were favoured by Netzer, of the tomb and other projects with ingenious films showing their locations in Masada, Jericho, Caesarea and elsewhere and how their construction took place in such difficult terrain. Netzer was of the opinion that Herod had played a personal role in the planning of these oversized projects.  Without him no architects or engineers would have dared to produce such ambitious plans, he thought.

There are wonderful original oversized carved Ionic and Corinthian capitals as were used at the Temple porticos and at Herod’s many palaces, but pride of place is given to the work at Herodion.  The original unique paintings of the royal box at the intimate hillside theatre at Herodion are displayed.

It appears that everything Herod did was on the grandest of scales and with the finest materials. As has been truly said, Emperors built for posterity but Herod built for eternity. This exhibition, coming more than two thousand years after his death,  makes that clear; it is a great tribute to the better side of Herod’s genius and energy, and also to the indefatigable work undertaken by Ehud Netzer over nearly fifty years.

Stephen Gabriel Rosenberg

W.F. Albright Institute of Archaeological Research, Jerusalem